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https://olympias.lib.uoi.gr/jspui/handle/123456789/8852Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Kovala-Demertzi, D. | en |
| dc.contributor.author | Papathanasis, L. | en |
| dc.contributor.author | Mazzeo, R. | en |
| dc.contributor.author | Demertzis, M. A. | en |
| dc.contributor.author | Varella, E. A. | en |
| dc.contributor.author | Prati, S. | en |
| dc.date.accessioned | 2015-11-24T16:44:56Z | - |
| dc.date.available | 2015-11-24T16:44:56Z | - |
| dc.identifier.issn | 1296-2074 | - |
| dc.identifier.uri | https://olympias.lib.uoi.gr/jspui/handle/123456789/8852 | - |
| dc.rights | Default Licence | - |
| dc.subject | pigments identification | en |
| dc.subject | micro-infrared spectroscopy | en |
| dc.subject | optical microscopy | en |
| dc.subject | greek icon | en |
| dc.subject | paintings | en |
| dc.title | Pigment identification in a Greek icon by optical microscopy and infrared microspectroscopy | en |
| heal.type | journalArticle | - |
| heal.type.en | Journal article | en |
| heal.type.el | Άρθρο Περιοδικού | el |
| heal.identifier.primary | DOI 10.1016/j.culher.2011.06.003 | - |
| heal.identifier.secondary | <Go to ISI>://000300395800014 | - |
| heal.identifier.secondary | http://ac.els-cdn.com/S1296207411000616/1-s2.0-S1296207411000616-main.pdf?_tid=20560045792469c914f80152f47cfe6b&acdnat=1333028809_c1b679a05247b0f2f38164f928bec4a6 | - |
| heal.language | en | - |
| heal.access | campus | - |
| heal.recordProvider | Πανεπιστήμιο Ιωαννίνων. Σχολή Θετικών Επιστημών. Τμήμα Χημείας | el |
| heal.publicationDate | 2012 | - |
| heal.abstract | Optical microscopy, cross-section and fragment Micro-FTIR spectroscopic techniques along with microchemical tests were used for the identification of pigments in two different samples of an icon. Representing the Last Judgement, and painted by the Greek master Ioannis from the village of Kapesovo in the year 1771, the kneeling desk icon under investigation is a noteworthy contribution to the study of materials in post-Byzantine visual arts. The main components found in the ground layer of both samples were gypsum, beeswax and a proteinaceous material. Cinnabar, Prussian blue and cerussite were identified on the paint layers. The binding medium on the paint layers was weddelite. The materials used in the painting and ground layers were characterized in order to clarify the painting technique. Proteinaceous materials have been identified as binders for the pigments, indicating a tempera painting technique. (C) 2011 Elsevier Masson SAS. All rights reserved. | en |
| heal.journalName | Journal of Cultural Heritage | en |
| heal.journalType | peer reviewed | - |
| heal.fullTextAvailability | TRUE | - |
| Appears in Collections: | Άρθρα σε επιστημονικά περιοδικά ( Ανοικτά). ΧΗΜ | |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| Kovala-Demertzi-2012-Pigment identificati.pdf | 1.71 MB | Adobe PDF | View/Open Request a copy |
This item is licensed under a Creative Commons License
