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https://olympias.lib.uoi.gr/jspui/handle/123456789/36126Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Weiss, Sarah | en |
| dc.date.accessioned | 2024-02-13T20:09:47Z | - |
| dc.date.available | 2024-02-13T20:09:47Z | - |
| dc.identifier.uri | https://olympias.lib.uoi.gr/jspui/handle/123456789/36126 | - |
| dc.identifier.uri | http://dx.doi.org/10.26268/heal.uoi.15839 | - |
| dc.description | Περιλαμβάνει σημειώσεις και βιβλιογραφικές παραπομπές. | el |
| dc.format.extent | 36 σ. : | - |
| dc.title | Permeable boundaries : hybridity, music, and the reception of Robert Wilson's I La Galigo | en |
| dcterms.bibliographicCitation | Ethnomusicology | - |
| dcterms.issued | 1953 | - |
| heal.type | journalArticle | el |
| heal.type.en | Journal article | en |
| heal.type.el | Άρθρο Περιοδικού | el |
| heal.generalDescription | 16104 | - |
| heal.language | el | el |
| heal.recordProvider | uoi | |
| heal.bibliographicCitation | Ethnomusicology (no. 2, vol. 52 (SPRING/SUMMER 2008)) | el |
| heal.publisher | Wesleyan University, | el |
| heal.journalType | peer reviewed | el |
| Appears in Collections: | Αποδελτίωση περιοδικών | |
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