Please use this identifier to cite or link to this item: https://olympias.lib.uoi.gr/jspui/handle/123456789/36035
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dc.contributor.authorMoehn, Frederick,en
dc.date.accessioned2024-02-13T20:04:52Z-
dc.date.available2024-02-13T20:04:52Z-
dc.identifier.urihttps://olympias.lib.uoi.gr/jspui/handle/123456789/36035-
dc.identifier.urihttp://dx.doi.org/10.26268/heal.uoi.15748-
dc.descriptionΠεριλαμβάνει σημειώσεις και βιβλιογραφικές παραπομπές.el
dc.format.extent31 σ. :-
dc.titleA carioca blade runner, or how percussionist Marcos Suzano turned the Brazilian tambourine into a drum kit, and other matters of (politically) correct music makingen
dcterms.bibliographicCitationEthnomusicology-
dcterms.issued1953-
heal.typejournalArticleel
heal.type.enJournal articleen
heal.type.elΆρθρο Περιοδικούel
heal.generalDescription16104-
heal.languageelel
heal.recordProvideruoi
heal.bibliographicCitationEthnomusicology (no. 2, vol. 53 (SPRING/SUMMER 2009))el
heal.publisherWesleyan University,el
heal.journalTypepeer reviewedel
Appears in Collections:Αποδελτίωση περιοδικών

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