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dc.contributor.authorΣαραφιανός, Άρηςel
dc.date.accessioned2015-11-24T17:17:56Z-
dc.date.available2015-11-24T17:17:56Z-
dc.identifier.urihttps://olympias.lib.uoi.gr/jspui/handle/123456789/12339-
dc.rightsDefault Licence-
dc.subjectClassificationen
dc.subjectRaceen
dc.subjectRacial classificationen
dc.subjectRace -- Classificationen
dc.subjectPortraitsen
dc.subjectPhysicians in arten
dc.subjectAnthropology -- Historyen
dc.subjectReynolds, Joshua, Sir, 1723-1792en
dc.subjectHunter, John, 1728-1793 -- Portraitsen
dc.subjectWhite, Charles, 1728-1813 -- Portraitsen
dc.titleThe Natural History of Man and the Politics of Medical Portraiture in Manchesteren
heal.typejournalArticle-
heal.type.enJournal articleen
heal.type.elΆρθρο Περιοδικούel
heal.identifier.secondaryhttp://search.ebscohost.com/login.aspx?direct=true&db=ofs&AN=505203096&site=ehost-live-
heal.accesscampus-
heal.recordProviderΠανεπιστήμιο Ιωαννίνων. Φιλοσοφική Σχολή. Τμήμα Ιστορίας και Αρχαιολογίαςel
heal.publicationDate2006-
heal.abstractVisual practices play a role in the making of scientific careers and theories that is not always straightforward. Several portraits of the Manchester surgeon Charles White, along with scientific illustrations associated with him, interfered with Sir Joshua Reynolds's portrait of John Hunter in ways that reveal the messy diversity of practices, uses, and contexts of images during the Enlightenment. The increased mobility of Enlightenment visual culture straddled the fields of art and science, reflected their social economies, and enabled images to maintain a meaningful role simultaneously in systems of knowing, projects of professional empowerment, and forms of political commentary. Reprinted by permission of the College Art Association, Inc.en
heal.journalNameArt Bulletinen
heal.journalTypepeer-reviewed-
heal.fullTextAvailabilityTRUE-
Appears in Collections:Άρθρα σε επιστημονικά περιοδικά ( Ανοικτά). ΙΣΤ

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