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https://olympias.lib.uoi.gr/jspui/handle/123456789/12322Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Σαραφιανός, Άρης | el |
| dc.date.accessioned | 2015-11-24T17:17:50Z | - |
| dc.date.available | 2015-11-24T17:17:50Z | - |
| dc.identifier.issn | 1471-4787 | - |
| dc.identifier.uri | https://olympias.lib.uoi.gr/jspui/handle/123456789/12322 | - |
| dc.rights | Default Licence | - |
| dc.subject | Art -- Vocational guidance -- History | en |
| dc.subject | Art | en |
| dc.subject | Race relations | en |
| dc.subject | Art -- Political aspects -- History | en |
| dc.subject | Arts -- Great Britain -- History -- 19th century | en |
| dc.subject | Art & science | en |
| dc.subject | Art & anthropology | en |
| dc.subject | Art & society | en |
| dc.subject | Art & culture | en |
| dc.subject | Haydon, Benjamin Robert, 1786-1846 | en |
| dc.title | B. R. Haydon and Racial Science: the Politics of the Human Figure and the Art Profession in the Early Nineteenth Century | en |
| heal.type | journalArticle | - |
| heal.type.en | Journal article | en |
| heal.type.el | Άρθρο Περιοδικού | el |
| heal.identifier.secondary | http://search.ebscohost.com/login.aspx?direct=true&db=ofs&AN=505188348&site=ehost-live | - |
| heal.access | campus | - |
| heal.recordProvider | Πανεπιστήμιο Ιωαννίνων. Φιλοσοφική Σχολή. Τμήμα Ιστορίας και Αρχαιολογίας | el |
| heal.publicationDate | 2006 | - |
| heal.abstract | The writer discusses painter and essayist Benjamin Robert Haydon's early, yet short-lived, focus on physical anthropology and osteology that introduced into art a “racist” political discourse linked with polygenism. Haydon drew on physical anthropology to express a new vision for the artistic profession, to tackle issues of power politics within contemporary artistic communities, and to support new social identities for artists. His “racism,” far from being an original political position, followed the more complex and insidious paths of the social reorganization of the artistic profession during the early 19th century. Moreover, his case further illuminates the conduct of professional politics in art and science, in addition to the interdisciplinary and interprofessional genealogies of naturalism during the early 19th century. | en |
| heal.journalName | Visual Culture in Britain | en |
| heal.journalType | peer-reviewed | - |
| heal.fullTextAvailability | TRUE | - |
| Appears in Collections: | Άρθρα σε επιστημονικά περιοδικά ( Ανοικτά). ΙΣΤ | |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| Sarafianos - Visual Culture in Britain, 2006.pdf | 236.94 kB | Adobe PDF | View/Open Request a copy |
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